The Ospedali Grandi: How Abandoned Girls Became Virtuosi.
Meget interessant
læsning om berømte pigekor, som bestod af forældreløse eller efterladte piger
og hvis optræden (performances) fascinerede folk dybt, i 1300- og 1400-tallets
Italien. Vivaldi, den berømte komponist, arbejdede med disse pigekor, han var i
øvrigt åbenbart også præst - nyt for mig. "CHAPTER 1: The
Ospedali Grandi: How Abandoned Girls Became Virtuosi ..... In 1743,
Jean-Jacques Rousseau visited the Ospedale dei Mendicanti, a hospice in Venice,
to hear its all-girl choir perform a concert. He described the music as “far
superior to that of the opera, and which has not its like, either in Italy or
the rest of the world.”1 What he heard was an anomaly, distinctive to
seventeenth- and eighteenth-century Italy. Except for the occasional opera
star, European society ordinarily looked down upon women performing music
publicly. Nevertheless, the Mendicanti and other Venetian hospices, henceforth
ospedali, grew into grand conservatories and taught music to displaced and
orphaned girls. Visitors from around the continent came to the ospedali to hear
performances containing virtuosic solos, complex musical techniques, and rich
expressive devices".
Min videredeling af
dette grundige og frit tilgængelige akademiske arbejde betyder ikke at jeg anbefaler
eller deler synspunkt med alt det, der står i det.
https://d.lib.msu.edu/islandora/object/etd:1929/datastream/OBJ/view https://itunes.apple.com/us/album/vivaldi-the-four-seasons/288519596
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